KMS National Artist, Karen Cunningham created a second day hair look inspired to reflect the day after a night out. The look was created to convey the woman’s feeling of empowerment, sexiness and sense of disheveled, awkwardness.

A game of light, color and shadows, for a journey through star-lit skies full of promise and deserts rich in charm: a search for magical lost civilizations and terrestrial paradise interpreted through the Real Me collection by Voilà.

Glamourama revisits and refines the strong looks of the 1980s' party scene: High-glam, high-gloss and make-up that makes an statement and leaves an impact. Summer sizzles on the dance floor!

Hair looks for those who dare to be different without sacrificing a polished finish, thanks to the creativity of Giovanni Iovino, Global Creative Director for Cotril. With light, depth and movement, the collection is a celebration of the unconventional.

The astonishing use of color, flashes of contrasting highlights, unexpected pastel shades. James Earnshaw's collection for Francesco Group is a riot of technique and perfection of brilliant hair design for its cut and color. A bold statement with no nostalgia for the past.

Kevin Murphy goes beyond the state of being natural by added an enchanted dose of extra light. The brilliance becomes even more lush in a tropical atmosphere.

Thanks to better product technology and education, more women are feeling empowered to wear their hair naturally curly. Natural-looking waves, polished with the perfect amount of frizz is the goal. 

Softened lines with a smooth geometry to emphasize texture and shape. Combinations of finishing techniques make the final looks increasingly refined and audacious.

INSPIRATION: Brutalism, a style that hit its peak in the 1970s, provided an uncompromising vision; it’s stripped back and honest ‘streets in the sky’ including London’s Trellick Tower by Erno Goldfinger celebrated the sculptural form of concrete.

Taking inspiration from the Unknown, man or creature, unidentified but also beautiful. Using a mixture of textures and shapes, Alan Keville went with strong colors conflicting against muted tones.